New: Upcoming concert --
The Sound of Seasons
The music of
India is based on the idea of rAgas and hence all of Indian classical music is nothing but
rAga
vidyA, although in practice there exist two main streams of Indian
classical music i.e. Hindustani sangIt and karnataka sangItam.
Kanniks is thoroughly grounded in Indian classical
music and has established a style for himself that has grown out of
the core of commonality between the seemingly distinct Hindustani
and Karnatic classical streams of India. Kanniks' exposure to
classical music began when he was a toddler and his formal education
in music began at the age of nine and he gave his first concert at
the age of thirteen. His musical lineage can be traced directly to the
venerated composer Muthuswamy Deekshitar and his classical music
repertoire consists largely of a significant body of compositions of
the venerated composer Muthuswamy Deekshitar, ancient dhrupads and
the Tevaram and Prabandha hymns of the 1st millennium CE.
The website
Templenet (www.templenet.com)
that he has been authoring and publishing over the last nine
year period is a comprehensive work describing the temples of India,
the mythology that they symbolize, the history that they represent
and the art forms that they display.
Given this Indological knowledgebase, his stress on
theory , his knowledge of sanskrit and Tamil as well as the solid
grounding in Indian classical music, the compositions of
Kanniks are more than musical expressions; they represent a
wholesome experience. Although he is known more for his
compositional skills, his singing has been noted for its richness of
expression (bhava).
"You have a great voice, impeccable tonal purity
and your bhava is outstanding. You should sing the music of Aadavallaanin Aindu sabhaigal in its debut performance ..."
Dr. M. Balamuralikrishna at the rehearsal of the music of The Cosmic
Dance Halls - 1998
"Your
grasp over both the Karnatic and the Hindustani music idiom is very commendable"
Lakshmi Shankar's observations on Shanti.
As a classical musician, he specializes in singing
in the vilambita (slow majestic) gait with strong emphasis on
tonal purity and lyrical expression.
As an instrumentalist, Kanniks is proficient on the
violin, although he is very selective about performances.
Kanniks shares the knowledge of Indian classical
music with participants in music workshops regardless of their level
of proficiency in Indian classical music. His music workshops are
packed with information and are a wholesome experience of
music, Indian culture and more.
Having represented IIT
Madras in inter-collegiate competitions all over India, and
having played and orchestrated stage performances of Indian film
music and semi-classical music , he is very conversant
with the vast repertoire of songs from Tamil and Hindi films and he
uses some of these as aids in introducing ragas to music
appreciation classes.